Link Banana

The classic poem — one I remember fondly from childhood — retold on the faces of baseball cards. It’s sometimes difficult to find the words on each cards, but it’s a very neat idea.

(via Neatorama)

I don’t usually do this, but there’s too much good in this Kottke post to not point straight to it.

I’ve probably noted my fascination with synesthesia — associating numbers with colors, smells with shapes, etc — before, but this stuff is interesting:

Where does synesthesia come from? Maybe synesthetes are just lying. Perhaps they’re under the influence of hallucinogenic drugs — many research subjects are college kids, after all — or happened as children to play with colored alphabet blocks. Or maybe they’re simply good with metaphors.

To Ramachandran, the latter answer gets at the truth — but he stressed that what appears as metaphor is a literal sensory experience for synesthetes. That may explain, he said, why synesthesia is eight times more common among poets, artists and novelists than the general population.

The essence of art is, arguably, metaphor, and its practitioners are especially prolific — and metaphor is just a convenient shorthand for the connection of unlinked cognitive phenomena. That’s exactly what appears to happen in the minds of synesthetes. Far-flung parts of their brain have unusually high levels of cross-wiring.

It’s worth reading the rest of the post, if only for the heartening “we’re all synesthetes” argument at the end.

Austin Kleon’s latest “newspaper blackout poem” it truly great. You should take the next 30 seconds and read it.

Waldo Jaquith wanted to say that the Virginia Quarterly Review didn’t like clichéd words in the poetry it published. Then his study proved they did.

(via kottke)

This is a little obscure, but I like it. Just click the link.

(via waxy)