Archive for the ‘the wire’ tag
David Simon and the LA Times #
Yesterday, it was revealed that the LA Times’s story about Sean “P. Diddy” Colmes being linked to the 1994 assault of Tupac Shakur was based on documents that were probably forged. Though I edited my original post about it, I didn’t think it merited a new one. Thanks to Vulture, it now does. By combining the story with it’s implications for everyone’s new favorite show, The Wire, they found something rather interesting to say.
Simon’s critics — Vulture included — complained that he had a too-cynical view of modern newspapers, and that a slippery rat like Templeton would have been flushed out. In fact, one critic wrote that “life at The Wire’s Baltimore Sun seems oddly cut-and-dried, which is surprising given the series’ usual fondness for shades of gray. Hard-nosed editors in the trenches: good; upper management with their eyes on the (Pulitzer) prize: bad. Given the standards the show has set, it’s a bit disappointing.” Wait, which paper was that again—oh yes, the L.A. Times.
So while the Times eats crow, Simon should be crowing, right? Well, yes and no. After all, Philips’s shoddy story got busted just days later by online watchdogs — as, we suspect, Scott Templeton’s would have, had he existed in real life. So Simon got the beginning of the fable right, but not the ending. Templeton wouldn’t have bagged a Pulitzer. He’d have been shamed by The Smoking Gun.
Fact and Fiction, The Wire, and David Simon #
The Wire, much-loved by critics, much-ignored by the populous, is beginning it’s final season on HBO this Sunday. I’ve only recently found the show — a grim and unblinking look at Baltimore’s crime and law enforcement — and have been working through it on DVD. The Atlantic’s critique of both the show’s chief architect, David Simon, and his creation is fresh, interesting, and innovative. One of it’s many great lines:
The essential difference between writing nonfiction and writing fiction is that the artist owns his vision, while the journalist can never really claim one, or at least not a complete one—because the real world is infinitely complex and ever changing. Art frees you from the infuriating unfinishedness of the real world. For this reason, the very clarity of well-wrought fiction can sometimes make it feel more real than reality. As a film producer once told me, “It’s important not to let the facts get in the way of the truth.”
(via kottke.org)